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The explosive growth in photography book publishing has presented photo-eye with an interesting challenge along with what we think is an exciting opportunity.
How can we continue to offer an ever-increasing inventory of photography books, keep those books continuously in stock and compete with the online deep discounters on price and shipping? The answer is that we can shift much our fullfillment to the web's most efficient book operation, Amazon.com.
Now we are happy to offer you Amazon's discounts on books which are almost always in stock from either Amazon directly or Amazon Marketplace. We can also provide you with the same shipping options that Amazon provides, including on qualified orders, free shipping.
It's important to understand that you will still be supporting photo-eye if you order from Amazon or Amazon Marketplace through photoeye.com. We make it easy for you to do this by providing a dual shopping cart system with separate checkouts.
However, you may still opt to purchase a particular title from photo-eye directly even though the same book is available through Amazon at a less expensive price.
Book publishing is not a perfect industry. Though all books are imperfect in some subtle way, we want to be as accurate as possible on our website if we know that there is a problem with a particular book. Imperfections range from a rubbed dustjacket, a small tear in the dustjacket, or a corner of the book being bumped. No fundamental flaw should be part of an imperfect book's condition. E-mail us our call 505.988.5152 should you have questions prior to ordering a particular imperfect book.
Place your order now and we'll send you the item when it arrives.
You will not be charged until your order ships.
An additional change will be added to the standard handling charge for this item as it is a foreign publication and shipping expenses from foreign countries is extremely expensive or it requires a larger, more expensive box or it requires extra care in handling. Thank you for understanding!
Cara Romero’s storytelling leads us into the future. Each image is a doorway to an even more profound level of imagination than thought possible and remakes a history that includes us: the grandchildren, the great-grandchildren, and those who follow, generation-by-generation.
— Joy Harjo
Throughout her renowned creative practice, Cara Romero has brilliantly challenged dominant narratives of Indigenous decline and erasure, disrupting preconceived notions about what it means to be a Native American. The artist’s first monograph, Panûpünüwügai (Living Light), explores the ways in which her images simultaneously acknowledge the injustices of colonialism while centering the humanity and vitality of her Indigenous collaborators, inviting audiences to engage in transformative dialogues.
Published in conjunction with the artist’s first solo museum exhibition of the same name, this comprehensive publication highlights the breadth of Romero’s practice, bringing together a dynamic selection of images from across her diverse bodies of work.
Organized into thematic sections, the works are accompanied by essays from notable scholars, including Karen Kramer, Curator of Native American and Oceanic Art and Culture, Peabody Essex Museum; Suzan Shown Harjo; Joy Harjo; Jordan Poorman Cocker, Curator of Indigenous Art, Crystal Bridges Museum of American Art; Felicia Garcia, Education Programs Manager at the Santa Ynez Chumash Museum and Cultural Center; Kate Nelson, an award-winning journalist; and Jami Powell, Associate Director of Curatorial Affairs & Curator of Indigenous Art, Hood Museum of Art, Dartmouth.