Enoura Observatory.

Land of Distant Memory. Text by Hiroshi Sugimoto.

MW Editions, 2025. 224 pp., 125 color, 8¼x10¾x1".

Over a decade in the making, Sugimoto's masterpiece observatory building at his art foundation in Odawara, Japan, is the culmination of his architectural practice

Apart from photography, Japanese artist Hiroshi Sugimoto has been working in sculpture, performing arts and architecture for more than 20 years. Since the early 2010s, he has been constructing the Enoura Observatory, and with his singular vision he has brought together ancient and contemporary Japanese traditions in one art and architectural complex. This book provides an account of this stunning multidisciplinary project.
The Observatory, part of the artist's Odawara Art Foundation, is sited on a hilly area covered with citrus trees in Odawara, nestled against the outer rim of the Hakone Mountains and overlooking Sagami Bay. Odawara is home to groups of artisans with mastery of sophisticated techniques that have been handed down for centuries. Sugimoto has constructed the Enoura Observatory using these techniques, which are growing increasingly difficult to preserve. He envisions it as a forum for disseminating art and culture both within Japan and to the rest of the world. The stunning photographs in Enoura Observatory: Land of Distant Memories reveal Sugimoto's poetic vision for this total work of art that is the culmination of his art practice.

Hiroshi Sugimoto was born in Tokyo in 1948. A photographer since the 1970s, his work deals with history and temporal existence by investigating themes of time, empiricism and metaphysics. Sugimoto has received numerous grants and fellowships, and his work is held in the collections of Tate Gallery, London, the Museum of Contemporary Art, Chicago, and the Metropolitan Museum of Art, among many others. Sugimoto lives between Tokyo and New York City.

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